Articles
Steve Paxton, danseur, chorégraphe, créateur de la Danse Contact Improvisation à la fin des années 70, appelle Petite Danse l'ensemble des mouvements réflexes d'ajustement pour simplement se tenir debout.
Steve Paxton, dançador, coreografo, criador da dança contacto improvisaçao na fim dos anos 70, chama a Pequena Dança o conjunto de movimentos reflexos ativos so para ajustar-se para ficar em pé.
"I regard the “small dance” as the reflexes that adjust everything to keep you upright. The event is so normal, so frequent, and so small that we ignore it."
Description de la Small Dance, être debout - Descriçao da Small Dance, estar em pé
par - por Steve Paxton
The text is to be delivered slowly, with pauses between each sentence.
Relax deep into the cone of the eye socket. Imagine a line that runs between the ears. That’s where the skull rests. Make the motion, very small, for “Yes.” This rocks the skull on the top vertebrae, the atlas. You have to intuit the bones. Like a donut. The sensation around it defines it. Do the motion for “No.” Between these two motions you can determine the length of the vertebrae.
… Ballooning of the lungs. Breathe from the bottom of the lung up to the clavicle. Can you expand the ribs out and up and back easily? Defining the diaphragm in terms of sensation. Bottom of the lung. Two domes of muscle. So with each breath you’re massaging the intestine… What the diaphragm is doing is a signal to the rest of the body. Sky above, earth below…
The head in this work is a limb. It has mass. Mass may be the single most important sensation. The feeling of gravity. Continuing to perceive mass and gravity as you stand. Tension in the muscle masks the sensation of gravity…
You’ve been swimming in gravity since the day you were born. Every cell knows where down is. Easily forgotten. Your mass and the earth’s mass calling to each other…
…Upward force of the bones. Shoulder blades fall down the back, relaxing the intestines into the bowl of the pelvis… In the direction the arms are hanging, without changing that direction, do the smallest stretch you can feel. Can it be smaller. Can you do less. The initiation of the stretch, along the length of bones, in the direction the force is already going. The small dance—you’re relaxing and it’s holding you up. The muscles keeping the weight throughout the skeleton. Shifting weight from leg to leg, interface, taking weight, compression. Stretching along the line of compression. Center of the small dance.
Upright position… spine erect… Feel the bottom of the lung, the diaphragm, feel it massage the organs, down into the bowl of the pelvis, relax your genitals and anus… breathe deeply… exhale slowly… feel the pause at the exhalation… watch for the beginning of the inhalation… This thing, time… full of rush and pause… feel time go by through the breath… don’t initiate the breath… just watch that period… try to catch your mind, the exact moment when the inhalation starts again…
Standing… Relax erect with the weight toward the back half of the knee, put some weight on the balls of the feet… relax the scalp… relax the eyelids… relax behind the eyes… deep into the cone of the eye socket… don’t spend any energy blocking or focusing… let your ideas flow… because certain things mask other things… and it’s better for this right now to have no concentration… feel the play of rush and pause of the small dance that holds you upright when you relax… through simple mass and balance… 60% on the ball of the foot, some to toes, rest back… knees a little relaxed… Let your breath guide your torso, make you symmetrical… let your ribs be open to the ballooning of the lungs… arms fall sideways… Feel the small dance… it’s always there… think of the alignment of the bones, limbs, towards the center of the earth… length of the bone…
…Take your weight over your left leg… what is the difference… in the thigh, in the hip joint… Calling this sensation “compression,” take compression over the right leg, feel the change… compression down the length of the bone… Take your body to neutral… lean forward… compression in front, stretch in back… back to neutral… lean backwards, stretch in front, compression in back… don’t have compression in the arms, there’s no weight there… lean forward again… feel the difference… relax… neutral… lean back, stretch along the length of your body… neutral… stretch up… let the spine rise through the shoulders… let the head be supported on a line between the ears… make the motion for “Yes,”… rock the head… the atlas… make a stretch connection, a long line of stretch between the ball of the foot and the atlas, between the toes, the ball of the foot up the leg to the spine, to the atlas… You’ve been falling in gravity since the day you were born…
Imagine, but don’t do it, imagine that you are about to take a step forward with your left foot. What is the difference? Back to standing…
Imagine but don’t do it, imagine that you are about to do a step with your left foot. What is the difference? Back to standing…
Imagine but don’t do it, imagine that you are about to take a step with your right foot… your left foot… your right… your left, right, left…… standing.
…Slowly let your body collapse into a squat… release into a voluntary fall. Breathe, squatting with hands on the floor, neck relaxed… see if you can relax in this position… and come up.
SOURCES
Extraits de conférence de Steve Paxton, publiés par le contact quarterly (2008)
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La description de Steve Paxton pour prendre conscience de la Small Dance debout, relaxé, publiée au départ dans le Contact Quarterly, Volume 11, No. 1, Winter 1986; re-publiée dans le livre Contact Improvisation Sourcebook, Volume 1, 1997, extrait présenté pour le 36ème anniversaire de la Danse Contact Improvisation
